The Phoenicians were the master seafarers of antiquity, the
first to knit the Mediterranean into a trading state.
Contemporaries knew them well. Homer derided them as "greedy
rogues," and the Bible praised their ships of oak and cedar as
works that "did sing."
But modern scholarship knows little of the vanished people and
almost nothing of the empire's basis, its merchant ships. No ships
that are clearly Phoenician have come to light, and only a few
images of the trading vessels have come down through the ages.
Now, however, the cold depths of the Mediterranean have yielded
a bonanza that might change all that -- if archaeologists and
treasure hunters can learn to work together.
The episode began last month as entrepreneurs based in Tampa,
Fla., were searching the deep western Mediterranean for lost gold
and silver. In the inky darkness, a half-mile down, the team's
robot suddenly lit up hundreds of amphoras, the clay storage jars
of antiquity. What the robot had revealed was clearly a very old
shipwreck.
Thrilled, Greg Stemm, director of operations for Odyssey Marine
Exploration Inc., had videotapes of the amphoras studied by
nautical archaeologists. They tentatively identified the earthen
jars as typical of the Phoenician colony of Carthage around the
fifth century B.C., near the peak of Phoenician influence in the
ancient world.
"It's an incredible find," Stemm said in an interview. "It's
the oldest deep wreck ever found. We're very excited."
The discovery is already stirring great scholarly interest
because so little is known of the ancient mariners.
During the first millennium B.C., the Phoenicians, sailing
mainly out of the area that is now Lebanon, spread colonies along
some of the Mediterranean's best land and prospered because of
their enormous commercial zeal.
They traded in textiles, dyes, jewelry, glass, wine, perfumes
and wood. Rivals often hated them. Plutarch, a Greek, scorned them
as "a people full of bitterness" and "so strict as to dislike
all humor and kindness."
Despite the Phoenicians' early success, subsequent waves of
civilization wiped out most traces of their cities and artifacts.
In contrast, the deep wreck appears to be pristine. A striking
color video made by the Odyssey team shows a jumble of brown and
red amphoras much as they must have lain shortly after the ship,
perhaps wrecked by one of the Mediterranean's squalls, settled into
the ooze.
The amphoras are about 3 feet long. Some are broken, but most
seem to be intact, dotted by delicate sea fans and inhabited by
snakelike fish.
Amphoras were the all-purpose shipping vessels of antiquity,
holding wine, olive oil, honey, fish sauce and other trade
products.
What lies beneath the amphoras and the muck -- whether the ship's
wooden hull, tools, personal items and perhaps coins, which would
help pinpoint the date of the sinking -- can only be learned by
excavation. The frigidity and low oxygen levels of the deep sea are
known to keep many old items remarkably well preserved.
Eager to learn more, and happy to admit the profit motive, Stemm
is seeking to team up with archaeologists to explore the wreck with
scholarly rigor and to make the project pay for itself by selling
film rights and organizing museum shows.
Surprisingly, considering past enmity, scholars are showing
considerable interest in the proposed venture, seeing the wreck as
a good test of the feasibility of teamwork.
"It's got tremendous potential as a way to bring archaeology
into the business world," said Cheryl Ward, a professor at the
Institute of Nautical Archaeology of Texas A&M University. "This
is an exciting ship because it is from a time that is poorly known
and a culture that is known to us only from land excavations and
the accounts of their enemies."
William Murray, chairman of the underwater archaeology committee
of the Archaeological Institute of America, a top professional
group, said he would urge his colleagues to consider the venture
seriously.
"If academic archaeologists are going to deal with deep-water
shipwrecks, it's going to have to be through cooperative efforts
like this," he said in an interview. "We need to explore the
possibility."
For decades, archaeologists and treasure hunters battled one
another over shipwrecks in shallow waters. Both sides could visit
and excavate the ruins by means of relatively inexpensive scuba
gear, which allows divers to go down 100 feet or so.
But advanced technology is moving the action deeper, sometimes
miles deeper, into dark areas of icy temperatures and crushing
pressures. The high cost of the equipment means commercial
interests tend to have the upper hand.
No archaeologist can afford the millions of dollars it takes to
probe the sea's sunless depths thoroughly, even though many
shipwrecks beckon and much is yet to be learned of humanity's past.
A lucky few have worked with Robert Ballard, an oceanographer
and former Navy officer who uses military gear to hunt deep wrecks.
Last year he announced the discovery in the Mediterranean of five
ancient Roman ships, the oldest dating to about 100 B.C.
Scholars have given mixed reviews to some commercial
deep-recovery efforts, like the raising of Titanic artifacts. But
in their previous excavations, Stemm and his business partner, John
Morris, have shown serious interest in learning archaeology and
scrutinizing lost ships to illuminate the human past.
A decade or so ago, they recovered a 17th-century Spanish
merchant ship from the depths of the Gulf of Mexico, and won praise
from archaeologists for their care. Their deep-diving robot brought
up not only pearls, gold bars and jewelry but wooden beams, olive
jars and ballast stones, recording each item's position for
archaeological analysis.
Stemm and his team stumbled on the new wreck last month while
searching for a British warship that sank in the Mediterranean more
than 300 years ago when it was transporting a large cargo of coins
valued today at up to $500 million.
Their expedition, begun in July and code-named Cambridge, is a
cooperative venture between Odyssey, a publicly traded company, and
the Royal Naval Museum in Portsmouth, England, a public institution
partly financed by the Royal Navy.
The Odyssey team used a 90-foot boat to tow a sonar over the
distant seabed, finding dozens of potential targets. Then a
desk-sized robot with lights and cameras was lowered on a long
tether to examine interesting sites close up.
The ancient wreck was found Sept. 17. The overall site, nearly
3,000 feet down, was measured as about 50 feet long and 25 feet
wide, with at least 200 amphoras visible above the mud.
Over the ages, amphora styles changed from region to region,
aiding their dating and identification today. Experts say the newly
discovered ones are clearly rare, half body and half neck, with
small, ear-shaped handles.
Jenette Flow, a marine archaeologist in Tampa who consults for
Odyssey, worked with top experts to identify the amphoras. Similar
ones had been found in Morocco, Spain and Greece, where clay jars
of this style were recovered with other materials that were dated
to about 450 B.C. In general the amphora style is known as Punic,
or Carthaginian, as it seems to have arisen in Phoenicia's western
colonies.
"I'm jumping up and down," Ms. Flow said in a telephone
interview. "It really looks like an exciting site to me. It's
intact."
Experts caution that a distinctive load of trade goods can still
be deceptive in determining a ship's identity, since ancient
cargoes were picked up at various ports. So a ship with a Punic
cargo might have begun its voyages in Phoenicia proper or another
ancient land.
Stemm said he was already talking with top archaeologists and
was confident an alliance would be worked out. Less certain, he
said, was whether Odyssey could raise the money for the underwater
dig, which he estimated might cost up to $4 million.
Preliminary work could begin as soon as the spring, Stemm said.
But he stressed that the pace would be determined by archaeological
factors, not commercial ones.
In theory, much of the surviving ship and its cargo could be
raised and preserved. If so, he said, nothing of the reclaimed ship
would be sold individually. "It's too old and rare," Stemm said.
"It should be kept together as a collection" that the general
public could view, he said, perhaps in a touring exhibition.
Odyssey has posted videos and pictures of the wreck site on the World Wide Web (shipwreck.net).
The find is likely to stir debate over how to save the sea's
lost cultural treasures.
The United Nations, spurred by advances in ocean exploration, is
drafting a protection treaty that so far tends to favor scholarly
over commercial efforts -- to the chagrin of Stemm, who as a member
of the U.S. delegation to a recent expert meeting on the proposed
treaty argued otherwise.
"The archaeologists can't get access" to the deep's cultural
riches, Stemm said in an interview. "And we have to find a way to
justify the expense."
Dr. Ward of the Institute of Nautical Archaeology, while
supportive of the idea of joint work by scholars and treasure
hunters on deep-sea projects, urged caution.
Archaeology is "a luxury, like music or art," Dr. Ward said.
"It's hard," she said, "to make it pay for itself without
losing some of its foundations."
Reprinted with permission.
Copyright© 1998 The New York Times Company